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Pricing

mastering

  • Digital Mastering CHF 50.-

    The best plugins from UAD/Waves/Softube/Fabfilter etc. are used to match the source material

  • Analog Mastering CHF 75.-

    Analog hardware from SSL,NEVE,Avalon,Tegeler Audio, Bettermaker, Dangerous Music is used to match the source material

  • Stem-Mastering (digital Plugins) CHF 75.-

    Maximum 6 tracks, e.g. 1. Kick, 2. Snares/Claps, 3. Hi-Hats/Percussion, 4. Bass, 5. Instruments, 6. Vocals, other track combinations are also possible.

  • Stem-Mastering (High-End analog Hardware) CHF 100.-

    Maximum 6 tracks, e.g. 1. Kick, 2. Snares/Claps, 3. Hi-Hats/Percussion, 4. Bass, 5. Instruments, 6. Vocals, other track combinations are also possible.

mixing

  • Mixing (digital) up to 30 tracks CHF 200.-
  • Mixing (analog) up to 30 tracks CHF 250.-
  • Mixing (digital) up to 50 tracks CHF 300.-
  • Mixing (analog) up to 50 tracks CHF 350.-
  • Mixing from 50 tracks UPON REQUEST

    For "normal" songs, it should usually be possible to minimize the number of tracks so that a mixing engineer gets a maximum of 50 tracks to mix.

Special offers

  • Mixing + Mastering (digital) up to 30 tracks CHF 225.-
  • Mixing + Mastering (analog) up to 30 tracks CHF 300.-
  • Mixing + Mastering (digital) up to 50 tracks CHF 325.-
  • Mixing + Mastering (analog) up to 50 tracks CHF 400.-

Songs MIXED/MASTERED

by mixtasa

Workflow

How we work

Wave, Aiff, Flac, Mp3 (only if no better quality is available)

We also accept Cubase or Logic project-files. We use many different plugins from UAD, Waves, Softube, Valhalla, Plugin-Alliance etc. Please refer to our detailed plugin-list. If we do not have a certain plugin you used on your project simply provide the track with the plugin on it.

16bit, 24bit, 32bit (float) or also 64bit (float)

44.1 kHz, 48kHz or 96kHz (normally most people work with 44.1 kHz)

If possible please provide dry and wet tracks. For example you send us a vocal track dry (without reverb, delay) and also wet (only the reverb)

If not possible to send dry and wet files it is important to ask yourself if the effect on the track should stay like it is or not. If you are sure that a certain effect artistically has to be in a certain way

and should not be changed then simply send the track with the effect on it.

  • No Limiting or dithering on individual tracks or on stereo master track
  • Leave at least 2-3 db headroom, tracks should not have any digital clipping
  • No fades on individual tracks
  • If possible provide named tracks (kick, snare, hi-hat, bass, vocals etc)
  • All tracks have to have the same start and end position